Sunday, December 13, 2009

A theory of Math and the Development of Early Man

Okay, this theory has been in my head for a few days. I got to get it out!


Do you know that a baby's perception of numbers are very different from ours? Babyies think of numbers and quantity COMPLETELY different than adults. And children have to be taught how to count. If they are never taught how to count, they would experience numbers logarithmically. The way we think of numbers is sort of... artificial.

Honestly, instead of me trying to explain how babies and an Amazon tribe thinks logarithmically, I'm going to stick this link to RadioLab.

Take a few minutes to listen from 04:00 to the end in order to understand what Robert Krullwich, Jad Abumrad and Lulu Miller can explain much more elegantly than I.

So, almost all children in the world learn this world of numbers from their parents/school/culture. But how did we come to count like this in the first place? Did the gods teach us? Aliens?

First off, let's dance.... with a bird.

A study was done on a bird to figure out if a bird was dancing (moving its body to the rhythm of a song) or just moving to noise or other ques so it just looks like its dancing. It showed that birds can indeed dance because it takes nerves and muscles control in order for a bird to create noise to communicate, dancing might be a side-effect. Sound effects muscles.

Again, I'm not the best to explain this study, Adena Schachner and Bob MacDonald are better at it, so here's a link to Quirks & Quarks. Or just listen to the mp3.


So, imagine the first tribes of man trying to make sense of the world. A shaman has the power to talk to the gods by doing a certain dance. If the shaman, most likely high on the autistic spectrum, does this dance that he created, the rains will come, the hunt will be good, the winter will end.

But the shaman is getting old and knows that some day he will die. If there's no one to do the dance, then the world will end. So he has to teach the next generation to dance this dance properly.

Now, I have personally done stage performance. I loosely call it "choreography" but I did need to learn a few acts.

And what's the easiest way to memorize a specific dance?

one - two - three - KICK
five - six - seven - TURN
nine - ten - eleven - STEP

So, through dance, early man thought of numbers as a sequence in time than as logarithmic quantity. And counting the beats "five - six - seven - eight" we were able to make the abstract connection between quantity and sequence.

And now we have math. The kind that eventually charted the stars and the days and the years. And then we got into measurements and geometry and calculus and physics.

I wonder if it would be easy for mathematician to learn the Cha-Cha?


...okay. I'm sure there might be a good argument against the "Dance Theory" because I wouldn't be surprised if that Amazon Tribe mentioned in RadioLab could dance. BUT dance is temporal. Time is, at least to us, sequential. So counting days might have also been a factor in the way we think of math. Think of it. Early man may have noticed that the Moon goes through its cycles. When the moon is full, its easiest to hunt at night. Then someone might have realized that it takes 28 days for the moon to cycle.

Anyway, these are just theories that might sound interesting in a comic or things I use to sound smart to my friends at a bar.

P.S. If any real scientists think I actually have something here, then put a link to my webcomics on the scientific paper you'll eventually write. www.theorofeverythingcomics.com If some other scientist had already written a paper on this, then it would be cool if you posted a link in the comments.

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Monday, August 10, 2009

Facebook Link Dump #2


























LOOKWELL! A failed pilot created by Conan O'Brien and Robert Smigel. Starring Adam West, a has-been actor who thinks he could solve crimes.




Inspirational Superhero Characters
http://mightygodking.com/index.php/2008/06/09/from-the-slushpile/



I want to build a Dreamachine
http://www.interpc.fr/mapage/westernlands/dreamachine.html





I hope I'm related to this guy.


Since most my family is in Bohol, I thought I'd put this up. Its a "nature reserve" (someones backyard) with a giant python and a girl (cross-dresser) as your tour guide. The first & last time I went here I was jetlagged, tired, confused and amused.











































UA (pronounced "ooh-ah") is this pop singer from japan. Her music is pretty eclectic. She started a children's show some years ago, so kids could learn Japanese children's songs.

...but damn!

She's exposing kids to some pretty sophisticated sounds. Those kids are lucky.

--and the parrot look works for her.


According to the New York Times, "The Grass-Mud Horse" is a mythical creature whose name in Chinese sounds like "f*ck your mother". Literally, lyrics are very harmless, but its actually a subversive song reacting to Chinese censorship (or "harmony").




World Science Festival 2009: Bobby McFerrin Demonstrates the Power of the Pentatonic Scale from World Science Festival on Vimeo.



The Death of President Corazon Aquino
http://www.time.com/time/world/article/0,8599,1914125,00.html?cnn=yes















SuperGreg - a staple of my art school memories
http://zmax.org/supergreg/sgdotcom/

This is pretty cool.
http://users.telenet.be/kixx/



Prison Inventions
http://www.sloshspot.com/blog/07-23-2009/The-Wonderful-World-of-Prison-Inventions-191





Photoshop Phriday: Make Fictional Animals Real
http://www.somethingawful.com/d/photoshop-phriday/fictional-animals-life.php?page=1









Radio Lab on the Afterlife
http://blogs.wnyc.org/radiolab/2009/07/27/after-life/























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Saturday, June 20, 2009

Play

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Friday, June 5, 2009

The Dalai Lama’s Introduction to Buddhism



[SAUCE]

When the Dalai Lama paid a visit to Emory University, he offered an introductory lecture to Tibetan Buddhism. The lecture is not exactly what you’d normally get in the university classroom. The talk is not entirely linear. And he spends some time speaking in English, then speaks in his native tongue (with the help of an interpreter). But, he can talk about Buddhism with the authority that few authors can, and there’s a reason audiences come to see him in droves.

Things really get going about 23 minutes in.

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Tuesday, May 19, 2009

John Hodgman's brief digression

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Saturday, August 2, 2008

This guy is awsome.



Clifford Stoll could talk about the atmosphere of Jupiter. Or hunting KGB hackers. Or Klein bottles, computers in classrooms, the future. But he's not going to. Which is fine, because it would be criminal to confine a man with interests as multifarious as Stoll's to give a talk on any one topic. Instead, he simply captivates his audience with a wildly energetic sprinkling of anecdotes, observations, asides -- and even a science experiment. After all, by his own definition, he's a scientist: "Once I do something, I want to do something else."

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Friday, August 1, 2008

Hidden Gold at San Diego Comic Con International

I love Comic Con. To me it is a secular Mecca. Where else can a Klingon and a Stormtrooper get in a scuffle-- plastic weapons at hand!? (Although, unfortunately, the Klingon population has been dwindling. I don't want to blame the guy from Quantum Leap, but...)

It is a celebration of human imagination, pop art, fandom and pure geekiness. But for me, one of the highlights of the Con is The Comics Art Conference. Basically, the CAC are lectures and panel discussions where scholars give very interesting insights to comic books as a medium, superheroes, and pop culture.

A great book that came out of the CAC was Peter Coogan's Superhero: The Secret Origin of A Genre, a book that I ought to finish reading. Plus I ran into him at Horton Plaza just before I left San Diego. Just so I can say thanks.

He asked me why I liked the CAC. For me, it's because it gives me ideas. If mission, powers, and identity are the main things that define a superhero (read his book), then what would happen if I changed some of these aspects? Will I still get a superhero?
If I am to become a decent comic book storyteller, I ought to know my medium. This is better than an Art History class.
Also, the scholarly language used in the CAC have become part of my vocabulary. With the company that I keep, "superhero deconstructionism" is a common word. Basically, the CAC prevents me from sounding like a geeky fanboy and more like a pop culture intellectual... in theory.

Although sometimes the lecturers to the CAC aren't exactly a Broadway musical, they do say a lot of really interesting things. (Mind you, I love lectures. It's like someone telling me about a really fascinating book that I don't have to read because I need my eyes for drawing.) And I've never gotten any of my friends to go with me, even though I know they'd find it interesting.

You know who you are.

But I guess going to a panel discussion to see clips from a movie that will be next year's summer blockbuster-- that you'll see anyway-- is a lot more shiny and seductive than hearing about postmodernism in comics or gay and lesbian themes in Grant Morisson's run on X-Men or how Superman mirrors "The Golem of Prague".

This is one of the major reasons I go to San Diego Comic Con. I love, as Dr. Stephan Hoeller calls it, "The 20th Century Mythic Revival." (Please use this phrase often, I'd like it to be a meme, why do you think I put it in italics? It's catchy in a convoluted way and it makes Star Wars sound like it should be placed next to King Arthur--the Star Wars with Mark Hamil, not this Hayden what's-his-name crap.)

...that and also to oogle at Asian Slave Girl Princess Leia.


But, Asian Fetishes aside, the CAC is one of those things more people ought to check out. It's my intellectual salvation from the insane commercialism on the Floor. (Plus I have a habit of running out of money on the Floor-- its also a salvation for my wallet.) I sort of wish they'd put the lectures up on Youtube like TED or Carnegie Mellon University. It would be slightly better than a CD with all these word documents that I buy every year, but rarely come around to reading them.

Here are some other wonderful CAC resources:

Emaki.net - Neil Cohn has some interesting things to say about comics and visual language.

Hyperreality.alechosterman.com - Alec Hosterman gave an interesting lecture on Hyperreality. I found it very fascinating because in a very secular way, he was touching on Buddhist, Hindu and Gnostic concepts. His work is still in need of some development, but he's definitely on to something.

ScottMcCloud.com - Although he didn't contribute to the CAC this year, or for a while, Scott McCloud's Understanding Comics is a frequently referenced book when it comes to the study of comics. I'll have to say that this book is the basis of how I think of art.


I wish I had more links. I remember last year, one lecture was on the fascination of Wonder Woman to the gay community. That mainly stood out because the lecturer danced to the Wonder Woman theme. There was another on Dave Sim's view of women in Cerebus. A bunch on Superman and mythology.


I also remember a really great one on Watchmen and exactly how it deconstructed the superhero. [In a nutshell, classic superhero: the most moral is the most powerful, Watchmen: the most moral is the least powerful (Nite Owl) and the most powerful is amoral (Dr. Manhattan). It's interesting how these two characters at the extremes of the spectrum both had romantic relationships with the same woman.]

See?! Don't I sound like a nerd with an expensive Phd rather than a nerd that lives with his mother?


(I don't live with my mother, by the way.)

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Thursday, July 31, 2008

Douglas Adams Lecture @ UCSB



Douglas Adams was the best-selling British author and satirist who created The Hitchhiker's Guide to the Galaxy. In this talk at UCSB recorded shortly before his death, Adams shares hilarious accounts of some of the apparently absurd lifestyles of the world's creatures, and gleans from them extraordinary perceptions about the future of humanity.

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